The Guardian has an interesting piece today on Mark Duggan, whose death sparked the initial rioting. I want to try to approach this as objectively as possible.

The Guardian piece focuses, quite rightly, on the fact that the police yet again seem to have encouraged false information to come out in the immediate aftermath of the killing, particularly to the effect that Duggan fired first. This is part of a worrying pattern – the numerous lies about Jean Charles De Menezes, the false claim that demonstrators attacked police trying to resuscitate Ian Tomlinson.

This is extremely serious because it is part of the picture of the Met, like the rest of government, being much more interested in spin than fact when it comes to dealing with the media. This in turn comes back again to that incestuous web of bungs and consultancy contracts that characterises the Met/Murdoch relationship. The Duggan death shows the police instinct to lie and cover up is as fierce as ever.

But, on the death itself, we have to face the fact that Duggan was no Ian Tomlinson or Jean Charles De Menezes. They were both innocent and unarmed. Duggan was neither innocent nor unarmed. He was a hardened gangster carrying a loaded firearm. I understand the police believed he may have been actually on the way to carry out a “hit” and that is why they stooped him in a public street. I have no reason to disbelieve this.

From the Guardian report:

“Duggan’s family and friends have said that if he was carrying a loaded weapon, they did not believe he would have fired at police.”

That is a highly qualified statement. No doubt that he would carry a loaded weapon, or that he might fire it at somebody else.

Thankfully, being an armed gangster is not a capital offence in the UK and the circumstances described above do not give the police the right to carry out an execution. Obviously something went horribly wrong in the incident, and one possibility must be that the officers, or at least one officer, decided on just such an illegal execution.

But that is by no means the only possibility, and we must also note that this went so wrong that the police injured and could have killed one of their own. It seems most likely that the bullet which passed through Duggan’s bicep was the one that ended lodged in a police radio. How somebody came to open fire when one of his own colleagues was in harm’s way is another important question, and on the face of it would seem to indicate confusion.

The police have harmed their case, perhaps irretrievably in public opinion, by their lack of immediate honesty about whether Duggan fired. But that does not mean they have no case. Duggan was not an entirely innocent man. He is absolutely not, in that sense, in the category of De Menezes or Tomlinson.

I for one do actually want the police to arrest criminals carrying loaded firearms, and I realise that will always be a risky business.

Was this an execution, a botch, or a legitimate response to a leveled weapon? We do not know. The problem is, we can be pretty sure that the well-oiled protection mechanisms that always shield the police from genuine investigation, will kick in again.

The problem, of course, with exoneration of the police in appalling crimes like their execution of Jean Charles De Menezes, is that nobody will believe them when they are in fact in the right. There is a strong possibility they were in the right on this one. They have brought general disbelief upon themselves.

My family come from Edinburgh. I used to live and work here. It really is not an especially wet city. It gets hot in summer. But every time we come for the Festival, it is like spending an entire month in an ice cold shower. Emily is developing trench foot.

Reviews continue to be generally very good. This one came out in Three Weeks printed edition yesterday, though it has not gone up on their website yet:

Medea ****

Euripides’ tragic tale of betrayal and alienation is expertly given a modern edge in this production from Fraser Cannon. An adapted script from Stella Duffy sees much of the language transformed to give more of a contemporary feel, whilst still retaining the essence of the original Greek story. Nadira Janikova in her portrayal of Medea manages to brilliantly capture the agony of being ostracised and abandonned for another woman, and her subsequent thirst for revenge that follows, in a performance that is truly absorbing. With a well presented chorus that uses music to help capture the burning torment of the “barbarian”, this is a production that is well worth watching, regardless of one’s interest (or not) in Greek tragedy.

Qualified rapture from Lyn Gardner, theatre critic of the Guardian who tweeted:

Stella Duffy’s version of Medea at Assembly is just terrific, although some of the acting a trifle under-powered

Which of course leaves one rather wanting to know more, and points up the limitations of Twitter as a medium of theatrical criticism (or intelligent human communication full stop).

In the interests of strict honesty I should also reference this bad review from the British Theatre Guide. Mr Fisher is of course absolutely entitled to his view of the production and acting. But I find his claim not to be able to understand the casts’ accents wildly improbable, and it leads me to wonder whether he is (ahem) not entirely in harmony with our multicultural society.

Finally it is a great pleasure to keep meeting so many blog readers after the show. It was good to see John yesterday. I do have a number of things I have to do and people I have to juggle once the show finishes, so I am sorry if I seem preoccupied, but it really does cheer me up more than you can imagine when readers come up and introduce themselves. I am only sorry that Nextus slipped away without me seeing what he (or indeed she) looked like!!

UPDATE

Let me add this shocking video of Edinburgh Riots, which I think Vronsky posted to an earlier comment thread.