“Putin’s Gonna Get Me”.
Shakespeare’s heirs at the BBC produced this deathless and entirely convincing line as the climax of the first episode of “The Salisbury Poisonings”, a three part piece of state propaganda on the Skripal saga, of which I watched Part 1 as it was broadcast last night. The other two parts are to be broadcast today and tomorrow, which unusual scheduling reflects the importance our masters place on this stirring tale of the resilience of the great British nation under attack by devilish foreigners. You can watch all three episodes now on BBC iPlayer, but personally I suffer from overactive antibodies to bullshit and need a break.
The line about Putin was delivered by salty, ex-British military Ross Cassidy, so of course was entirely convincing. It may have been more so had he ever said it in public before this week, but there you are.
To judge by social media, an extraordinary proportion of the public find the official narrative entirely convincing. I find myself unable to pretend that does not fill me with despair at the future of democracy. That anybody could listen to the following dialogue without doubling up in laughter is completely beyond me. I do not quite understand how the actors managed to speak it.
Porton Down Man: “And it’s one of the deadliest synthetic substances on earth. It’s so toxic that a spoonful, with the right delivery mechanism, could kill thousands”.
Heroic Public Health Lady: “But if it’s so toxic, how come the Skripals are still alive?”
Porton Down Man: “The paramedics assumed that they had overdosed on fentanyl so they gave them a shot of Naloxone, which happens to combat nerve agent toxicity. Plus, it was cold, further inhibiting the speed with which the substance took effect.”
Aah yes, it was cold. A factor those pesky Russians had overlooked, because of course it is never cold in Russia. And everybody knows it is minus 40 inside Zizzis and inside the Bishops Mill pub. Once the nerve agent has entered the body, only in the most extreme conditions could exterior temperature have any kind of effect at all. Neither Sergei nor Yulia was anyway outdoors for any significant period after supposedly being poisoned by their door handle.
Many wildly improbable stories have been produced by the security services over the last three years to explain why this ultra deadly nerve agent did not kill the Skripals. Interestingly enough, the BBC drama left out a detail which the Daily Mail alleged came from a security service briefing, that:
“Completely by chance, doctors with specialist chemical weapons training were on duty at the hospital when the victims were admitted. They treated Sergei and Yulia Skripal with an atropine (antidote) and other medicines approved by scientists from Porton Down, the government’s top secret scientific research laboratory”
Which is very believable, I suppose, because it is no more of a coincidence than the Chief Nurse of the British Army being right there when they first collapsed on a bench.
Yet in all the multiple attempts to explain the non-deadly deadly nerve agent, “it was cold” appears to be a new one. It must have official approval, because all purpose security service shill, warmonger and chemical weapons expert, Lt Col Hamish De Bretton Gordon was listed in the credits as “military advisor” to this BBC production.
Let me offer you this tiny smidgeon of wisdom, for nothing: when the state broadcaster starts to make propaganda videos that credit a “military advisor”, you are well on the way to fascism.
Perhaps wisely, Part One at least of the BBC Drama made no attempt at all to portray how the alleged poisoning happened. How the Skripals went out that morning, caught widely on CCTV, to the cemetery according to this version, and then returned home without being caught coming back. How while they were back in their house two Russian agents rocked up and, at midday in broad daylight on a very open estate, applied deadly nerve agent to the Skripals’ door handle, apparently without the benefit of personal protective equipment, and without being seen by anybody. How the Skripals then left again and contrived for both of them to touch the exterior door handle in closing the door. How, with this incredibly toxic nerve agent on them, they were out for three and a half hours, fed the ducks, went to the pub and went to Zizzis, eating heartily, before both collapsing on a park bench. How despite being different ages, sexes, body shapes and metabolisms they both collapsed, after this three hour plus delay, at exactly the same moment, so neither could call for help.
The BBC simply could not make a drama showing the purported actions that morning of the Skripals without it being blindingly obvious that the story is impossible. Luckily for them, we live in such a haze of British Nationalist fervor that much of the population, especially the mainstream media journalists and the Blairite warmongers, will simply overlook that. The omission of the actual “poisoning” from “The Salisbury Poisonings” is apparently just an artistic decision.
All those events happened before the timeline of this BBC Drama started. The BBC version started the moment people came to help the Skripals on the bench. However it omitted that the very first person to see them and come to help was, by an incredible coincidence, the Chief Nurse of the British Army. That the chief military nurse was on hand is such an amazing coincidence you would have thought the BBC would want to include it in their “drama”. Apparently not. Evidently another artistic decision.
The time from touching the door handle to the Skripals being attended by paramedics was about four hours. That Naloxone is effective four hours after contact with an ultra deadly nerve agent is remarkable.
I do not want to under-represent the personal suffering of policeman Nick Bailey nor his family. But he was shown in the drama as rubbing this “deadliest synthetic substance” directly into the soft tissues around his eye, but then not getting seriously ill for at least another 24 hours. Plainly all could not be what it seems.
The actual poisoning event, the specialist team coincidentally at the hospital and the Army Chief Nurse were not the only conspicuous omissions. Also missing was Skripal’s MI6 handler and Salisbury neighbour Pablo Miller, who did not rate so much as a mention. The other strange thing is that the drama constantly cut to newsreel coverage of actual events, but omitted the BBC’s own flagship news items on the Skripal event in those first three days, which were all presented by BBC Diplomatic Editor Mark Urban.
Now Mark Urban happens to have been in the Royal Tank Regiment with Skripal’s MI6 handler, Pablo Miller. Not distantly, but joining the regiment together at the same rank in the same officer intake on the same day. I do love a lot of good coincidences in a plot. Mark Urban had also met frequently with Sergei Skripal in the year before the alleged attack, to “research a book”. Yet when Urban fronted the BBC’s Skripal coverage those first few days, he kept both those highly pertinent facts hidden from the public. In fact he kept them hidden for four full months. I wonder why Mark Urban’s lead BBC coverage was not included in the newsreel footage of this BBC re-enactment?
There is much, much more that is wildly improbable about this gross propaganda product and I must save some scorn and some facts for the next two episodes. Do read this quick refresher in the meantime. How many of these ten questions has the BBC Drama addressed convincingly, and how many has it dodged or skated over?
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